The Lovemad Woman in Nineteenth Century Literature :: literature literary criticism

The Lovemad Woman in Nineteenth Century Literature The lovemad woman was a very important part of nineteenth-century literature. The lovemad woman, originally characterized as a female who becomes insane collectable to the departure of her lover, was an important character in literature. From Antigone to Ophelia to Jane Eyre, the lovemad woman is seen end-to-end literature in various contexts. The definition of such a woman changed as the definition of what is it to be a woman in general changed throughout history. Love madness was seen both in the literature of the nineteenth century and in reality. At the time, the definition of insanity and how it should be treated was going low dramatic changes. Love madness was seen as a primarily female disease. Insanity in general was seen to occur more often in females due to their natural weakness. Being female was almost a form of insanity because of what is seen as their biological inferiority. Living in a male-dominated society, women were forced to be weak, to be sickly. Women were looked at as unnatural if they were too forceful in their actions and emotions. They were also looked down upon if they expressed their knowledgeableity too blatantly. Love madness itself is linked with sexual knowledge and innocence (Small 83). A woman was in danger of becoming mad if she had too much sexual knowledge A young noblewoman was only worth as much as her chastity and appearance of complete innocence . . . . Once lead astray, she was the fallen woman, and nothing could reconcile her until she died (Lee). Nineteenth-century British society was able to brainwash females into ignoring their sexuality through tales of Medusa-like creatures (Gilbert 53). Young women would hear various tales of women who had given into their carnal desires and then as punishment became virtual monsters. An representative of this can be seen in Bertha Mason, who becomes a monster due to her overpowering sexual nature. Elaine Showalter addresses these legends in her book, A Literature of Their Own, by saying the legends themselves express a cultural attitude toward female passion as a potentially dangerous force that must be punished and confined (Showalter 119). These monsters of women are experiencing what became to be known as moral insanity. J.C. Prichard defined moral insanity as a morbid perversion of the natural feelings, affections, inclinations, temper, habits, and moral dispositions without any notable lesion of the thinker ( Small 163).