Comparing the Character of Life in As You Like It and King Lear :: comparison compare contrast essays

The Character of Life in As You Like It and poof Lear Through clowning and tragedy Shakespe atomic number 18 reveals the vast expanses and profound depths of the extension of sustenance. For him they are not separate worlds of drama and ro populacece, but poles of a continuum. The distinction amidst tragedy and comedy is called in question when we turn to Shakespeare. Though the characters dissent in stature and power, and the events vary in weight and significance, the movements of life in all Shakespeares plays are g everyplacened by the same universal principles which move events in our own lives. Through myriad images Shakespeare portrays not only the character of man and society but the character of life itself. The difference between comedy and tragedy, success and failure, good fortune and catastrophe lots seems to turn on a obviously chance event. In Alls Well that Ends Well, Helenes pilgrimage to make it back Bertram succeeds on the basis of her chance meeting with the mother of a virgin whom Bertram is courting. Time is another crucial determinant. Often a fall in second or brief interval is the difference between life and death. In this small but all important gap of snip, the character of life is revealed most clearly. In As You Like It, Orlando came in time to save Oliver from the serpent that was winding around his neck. Out of context, these events would appear as a very thin and frail fabric upon which to build coarse comedy and tragedy were it not for the fact that they are true to a deeper train of causality in life. Suzanne Langer has called comedy an image of life triumphing over chance. It may be otherwise stated that in comedy the seemingly chance events of life move in favor of a confident(p) resolution, whereas in tragedy they seem to conspire toward disaster. Helene Gardner observes that comedy is full of purposes mistook, not fall on the inventors head but luckily misfiring altogether. In comedy, as often happens in life, people are mercifully saved from being as wicked as they meant to be. 5 Time as well as chance events are expressive of another set of determinants, another level of causality in the wider plane of life. The critical gap between gracious action and its results depends on the response of the environing life and expresses the character of life in the given circumstances.